Asad Faulwell American, b. 1982

Overview

Asad Faulwell (b. 1982, Caldwell, Idaho, USA) creates mixed-media paintings that explore forgotten histories through a dense pattern language of painterly compositions. His practice sits on the cusp of post-colonial modernity, raising questions of memory, absence and power within dominant narratives. His works reference visual traditions of religious iconography and cultural ornamentation, incorporating decorative motifs based on Islamic textiles, architecture, mosaics, illuminated manuscripts and art history. He received his BA from the University of California, Santa Barbara (2005) and his MFA from Claremont Graduate University (2008), where he was awarded a Joan Mitchell Foundation Grant. His work has been exhibited internationally, including at the Los Angeles County Museum of Art (LACMA), the Nelson-Atkins Museum of Art, and the Nerman Museum of Contemporary Art, and is held in public and private collections including the Crocker Art Museum, California, the Pérez Art Museum Miami, the Rubell Family Collection among others.

Works
  • Asad Faulwell, Les Femmes D'Alger #33, 2013
    Les Femmes D'Alger #33, 2013
  • Asad Faulwell, Les Femmes D'Alger #32, 2013
    Les Femmes D'Alger #32, 2013
  • Asad Faulwell, Les Femmes D'Alger #36, 2013
    Les Femmes D'Alger #36, 2013
  • Asad Faulwell, Les Femmes D'Alger #45, 2014
    Les Femmes D'Alger #45, 2014
  • Asad Faulwell, Les Femmes D'Alger #49, 2015
    Les Femmes D'Alger #49, 2015
  • Asad Faulwell, Les Femmes D'Alger #68, 2016
    Les Femmes D'Alger #68, 2016
  • Asad Faulwell, Les Femmes D'Algers #62, 2016
    Les Femmes D'Algers #62, 2016
  • Asad Faulwell, Les Femmes D'Alger #72, 2016
    Les Femmes D'Alger #72, 2016
  • Asad Faulwell, Les Femmes d Alger #75, 2017
    Les Femmes d Alger #75, 2017
  • Asad Faulwell, Les Femmes d Alger #81, 2018
    Les Femmes d Alger #81, 2018
  • Asad Faulwell, A Tangled Web , 2018
    A Tangled Web , 2018
  • Asad Faulwell, Sleep #2, 2019
    Sleep #2, 2019
  • Asad Faulwell, Sleep 5, 2019
    Sleep 5, 2019
  • Asad Faulwell, Climbing a Disappearing Ladder, 2019
    Climbing a Disappearing Ladder, 2019
  • Asad Faulwell, Levitator, 2020
    Levitator, 2020
  • Asad Faulwell, Protector, 2021
    Protector, 2021
  • Asad Faulwell, Djamila , 2021
    Djamila , 2021
  • Asad Faulwell, Les Femmes D'Alger, 2021
    Les Femmes D'Alger, 2021
  • Asad Faulwell, Sleep #7, 2021
    Sleep #7, 2021
  • Asad Faulwell, Vizard, 2022
    Vizard, 2022
  • Asad Faulwell, Soothsayer, 2022-24
    Soothsayer, 2022-24
  • Asad Faulwell, Earth and Water, 2023
    Earth and Water, 2023
  • Asad Faulwell, Progeny, 2024
    Progeny, 2024
  • Asad Faulwell, Anahita’s Paradise, 2024
    Anahita’s Paradise, 2024
  • Asad Faulwell, Les Femmes D'Alger 12, 2011
    Les Femmes D'Alger 12, 2011
  • Asad Faulwell, Les Femmes D’Alger #6, 2011
    Les Femmes D’Alger #6, 2011
  • Asad Faulwell, Les Femmes D'Alger #22, 2012
    Les Femmes D'Alger #22, 2012
Biography
Asad Faulwell (b. 1982, Caldwell, Idaho, USA) explores forgotten histories through a dense pattern language of painterly compositions that raise questions of memory, absence and power within dominant narratives. His mixed-media works draw on visual traditions of religious iconography and cultural ornamentation, incorporating decorative motifs based on Islamic textiles, architecture, mosaics, illuminated manuscripts and art history. Through the combination of figuration, abstraction and intricate pattern, his paintings construct layered images in which historical, political and mythological references intersect. Faulwell graduated from the University of California, Santa Barbara in 2005 and received his MFA from Claremont Graduate University in 2008, where he was awarded a Joan Mitchell Foundation Grant.
 
Early in his practice, Faulwell produced a series of works on Les Femmes d’Alger, giving homage to the Algerian women who fought alongside their male counterparts in the war of independence from French occupation between 1954–1962. His elaborately painted and collaged compositions employ imagery that is both beautiful and macabre, with richly coloured and patterned surfaces forming the backdrop for portraits, while large-scale abstract paintings appear as devotional structures. More recent bodies of work explore cultural and national identity through Iranian mythology, using archetypal figures such as kings, queens and magi drawn from different historical periods, in which modern events become embedded within the mythology of the past.
 
Select solo exhibitions include Phantasmagoria, Kravets Wehby Gallery, New York (2022); An Unrealized Dream, Kravets Wehby Gallery, New York (2020); Climbing a Disappearing Ladder, Lawrie Shabibi, Dubai (2019); Phantom, Denk Gallery, California (2018); In the Heart of the Cosmos, Lawrie Shabibi, Dubai (2017); Shapeless Shackles, Bill Brady Gallery, Missouri (2016); Obelisk Movements, Kravets Wehby Gallery, New York (2014); Bed of Broken Mirrors, Lawrie Shabibi, Dubai (2014); Pins and Needles, Nerman Museum of Contemporary Art, Kansas (2013); Empty Vessels, Kravets Wehby Gallery, New York (2012); and Les Femmes d’Alger, Kravets Wehby Gallery, New York (2011).
 
His work is held in public and private collections including the Crocker Art Museum, California; Los Angeles County Museum of Art (LACMA); Pérez Art Museum Miami; Orange County Museum of Art; UCSB Art, Design and Architecture Museum; Ulrich Museum of Art; the Nelson-Atkins Museum of Art; the Pizzuti Collection / Columbus Museum of Art; the Rubell Family Collection; the Franks-Suss Collection, London; the Nerman Family Collection; the Deighton Collection, London; and the University of Chicago Booth Collection.
 
Faulwell lives and works in Newport Beach, California.
 
Exhibitions
Press
Publications
Video