Hamra Abbas Pakistani , b. 1976
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The Piece Might Be Abstract, But its Made of Rubber and Looks Like the Male Organ, 2012 -
Kaaba Picture As A Misprint 3, 2014 -
Kaaba Picture As A Misprint 5, 2014 -
Kaaba Picture As A Misprint 6, 2014 -
One Rug, Any Color, 2016 -
Please Do Not Step: Loss of a Magnificent Story, 2017 -
Place . Labour . Capital 4, 2017 -
Place . Labour . Capital 5, 2017 -
Place . Labour . Capital 13, 2017 -
Misprint 1 (Diptych), 2019 -
Construction Drawing 1 (Square), 2019 -
Open Cube: After LeWitt 5, 2019 -
Misprint 2 (Diptych), 2019 -
Misprint 3 (Diptych), 2019 -
Open Cube: After LeWitt 2, 2019 -
Open Cube: After LeWitt 4, 2019 -
Open Cube: After LeWitt 8, 2019 -
Open Cube: After LeWitt 9, 2019 -
Trees: Gardens of Paradise, 2020 -
Fruits: Gardens of Paradise III, 2020 -
Garden, 2021 -
Flowers: Gardens of Paradise 2, 2021 -
Waterfall 2, 2022 -
Commission for Cincinnati Art Museum, 2022 -
Mountain 3, 2022 -
Please Do not Step 2, 2008
Hamra Abbas (b. 1976, Kuwait) works across sculpture, installation, mosaic, video and works on paper, exploring the physical manifestations of faith, ritual and tradition through a multidisciplinary practice rooted in both historical research and material experimentation. Her works often originate from an image, icon or gesture drawn from cultural and architectural sources, which she transforms through shifts in scale, material or context, questioning how such forms become part of a shared visual memory. Trained in sculpture and Indo-Persian miniature painting, Abbas received her BFA (1999) and MA (2002) in Visual Arts from the National College of Arts, Lahore, before attending Universität der Künste, Berlin, where she completed her Meisterschüler in 2004. Departing from this traditional background, she integrates contemporary media including installation, digital processes and performance into works that reconsider the transmission of visual traditions across time and place.
Her early practice encapsulated a sense of fragility and transience shaped by the different places she lived, including Berlin and Boston, where the ephemeral and weightless qualities of her work reflected experiences of displacement and movement. Often working with materials or formats that suggested impermanence, such as paper, performance or temporary installations, her works conveyed a fleeting condition connected to migration and shifting cultural contexts. After returning to Pakistan in 2015, her practice moved toward more permanent forms, incorporating marble inlay inspired by the local context of marble workshops and architectural traditions. This transition from impermanence to permanence marked a renewed connection to place and heritage, reflecting a sense of stability grounded in her return to her homeland.
In recent years, Abbas’s work has developed around the idea of the garden as a symbol of ecology, environment and paradise, drawing on Mughal garden design, regional landscape traditions and the visual culture of South Asia. Her compositions frequently feature flowers, trees, waterfalls and geometric patterns rendered in marble inlay, creating intricate surfaces that evoke both historical ornament and contemporary concerns with environment and preservation. This body of work is informed by ongoing research and travel, including journeys to the northern regions of Pakistan and the base camp of K2, where the landscape becomes both subject and metaphor. Across her practice, autobiographical experience remains central, with each work emerging from a personal narrative that connects memory, place and cultural history.
Recent notable exhibitions and participations include By The Movement of All Things, Lawrie Shabibi, Dubai, UAE (2025); Shadows Ombres, Louvre Abu Dhabi, UAE (2025); MANZAR: Art and Architecture from Pakistan 1940s to Today, National Museum of Qatar (2024); Diriyah Contemporary Art Biennale, Riyadh (2024); Lahore Biennale, Lahore (2024); Highlights, Ithra Museum, King Abdulaziz Center for World Culture, Dhahran (2023); Brand New Ancients, Misk Art Institute, Riyadh (2023); Flowers: Gardens of Paradise 2, Art Mill Museum, Doha (2022); COLOR | GARDEN, Lawrie Shabibi, Dubai (2022); Color Wheel, Canvas Gallery, Karachi (2021); Every Colour is a Shade of Black, COMO Museum of Art, Lahore (2020); and Open Cube, Lawrie Shabibi, Dubai (2019).
Abbas is an Honoree of the Asia Arts Game Changer Awards (2021). She is the recipient of the Jury Prize at Sharjah Biennial 9, the Abraaj Capital Art Prize (2011), and was shortlisted for the Jameel Prize (2009). In 2021, she presented Garden (2021), a large-scale public art commission for the Expo 2020 Dubai Public Art Programme, intended to remain on site as part of District 2020.
Her work is held in major public and private collections including the British Museum, London; Nelson-Atkins Museum of Art, Kansas City; Cincinnati Art Museum; The CC Foundation, China; Kiran Nadar Museum of Art, New Delhi; Ithra – King Abdulaziz Center for World Culture, Saudi Arabia; Art Jameel, Dubai; Zayed National Museum, Abu Dhabi; and Qatar Museums, Doha.
Abbas lives and works in Lahore, Pakistan.
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By the Movement of All Things | بِإيقاعِ كُلِّ شيئ
Curated by Hamzeh Alfarahneh 16 Nov 2025 - 9 Jan 2026 GalleryWe are pleased to present By the Movement of All Things , a group exhibition curated by Hamzeh Alfarahneh, featuring works by Igshaan Adams (b.1982, South African), Hamra Abbas (b....Read more -
Form and Rhythm
Sotheby's, Dubai in collaboration with Lawrie Shabibi 12 Mar - 7 Jun 2025Form and Rhythm is an exhibition presented by Lawrie Shabibi at Sotheby’s Dubai, scheduled from March 12 to May 7, 2025. This exhibition is part of The Gallery Collective ,...Read more -
Hamra Abbas Features in exhibition at the National Museum of Qatar
MANZAR: Art and Architecture from Pakistan 1940s to Today 1 Nov 2024 - 31 Jan 2025Hamra Abbas will present a selection of her works, including Porters 2 (2024) and Flowers: Gardens of Paradise (2020), at the upcoming exhibition *MANZAR: Art and Architecture from Pakistan 1940s...Read more -
Hamra Abbas at the Misk Art Institute
Group Exhibition 15 Mar - 15 Jun 2023Hamra Abbas takes part in the ‘Brand New Ancients’ group exhibition on view at Misk Art Institute in Riyadh, KSA.Read more -
Hamra Abbas: COLOR | GARDEN
Solo Exhibition 8 Mar - 7 May 2022 GalleryCOLOR | GARDEN is the forth solo exhibition of Hamra Abbas (b. 1976, Kuwait) at the gallery, presenting a set of conceptual prints alongside new marble inlay works that extend...Read more -
Under Construction
Group Exhibition 31 May - 26 Jun 2021 GalleryUnder Construction , a group exhibition held in two parts, presents a series of incomplete, evolving, overlapping, paradoxical concepts - building structures, formulating symbols, manufacturing appearance, fabricating histories and reconstituting...Read more -
We Do Not Dream Alone: Asia Society Triennial
Hamra Abbas 27 Oct 2020 - 7 Feb 2021 BiennialsThe inaugural Asia Society Triennial, a festival of art, ideas, and innovation, is slated to run October 27, 2020 through June 27, 2021. Featuring 40 artists and 18+ commissioned works,...Read more -
Miniature 2.0
Hamra Abbas and Shahpour Pouyan at the Pera Museum, Istanbul 11 Aug 2020 - 17 Jan 2021 MuseumsFocusing on contemporary approaches to miniature painting, the exhibition brings together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan. The artists...Read more -
Upsurge: Waves, Colour and Illusion
Group Exhibition 18 Mar - 1 Sep 2020 GalleryBringing together the diverse range of practices of a multi-generational group of artists - Mohamed Melehi (b.1936, Morocco), Mona Saudi (b.1945, Jordan), Hamra Abbas (b.1976, Kuwait), Mohamed Ahmed Ibrahim (b....Read more -
Every Colour is a Shade of Black
Hamra Abbas at COMO Art Museum 1 Jan - 1 Jun 2020 MuseumsIn his recent essay The Changing Colours of Istanbul , Orhan Pamuk laments on the disappearance of yellow light from shops and houses in Istanbul. Instead, white fluorescent light has...Read more -
Hamra Abbas: Open Cube
Solo Exhibition 18 Nov 2019 - 14 Jan 2020 GalleryOpen Cube is Hamra Abbas’ third solo at the gallery, featuring a series of new conceptual prints and marble inlay works that focus on form, line, and colour in the...Read more -
Trees: Gardens of Paradise
Hamra Abbas at the Karachi Biennale (KB19) 26 Oct - 12 Nov 2019 BiennialsThe thematic for KB19 is inspired by ecological consequences of dense urbanization – “Flight Interrupted: Eco-leaks from the Invasion Desk”. The title invokes loss of species of low flying birds...Read more -
Lahore Biennial (LB01)
HAMRA ABBAS, NADIA KAABI-LINKE & SHAHPOUR POUYAN 18 - 31 Mar 2018 BiennialsAbbas, Kaabi-Linke and Pouyan are slated to participate in the inaugural edition of the Lahore Biennale (LB01), which takes place between 18 - 31 March, 2018. Lahore Biennale 01 is...Read more -
Bodies
Hamra Abbas 18 Sep - 8 Nov 2016 GalleryLawrie Shabibi launches the new art season with “Bodies ” a solo exhibition by Hamra Abbas, her second at the gallery. Moving effortlessly between a variety of materials, “Bodies” is...Read more -
Kaaba Picture as a Misprint
Hamra Abbas 26 Apr - 27 May 2014 GalleryLawrie Shabibi is pleased to present Kaaba Picture as a Misprint a solo exhibition by Hamra Abbas. Kaaba Picture as a Misprint marks the return of the artist to the...Read more
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Forbes: Hamra Abbas—The Artist Who Creates Life-Size Sculptures With Lapis
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The Guardian: Hamra Abbas in the exhibition uncovering the history of South Asian miniatures
Nicholas Wroe, The Guardian, October 6, 2023 -
Artsy: The 10 Best Booths at Frieze Seoul 2023
Arun Kakar, Artsy, September 8, 2023 -
Gulf Today: Lawrie Shabibi presents works of Hamra Abbas at Frieze Seoul 2023
Muhammad Yusuf, GULF TODAY , August 25, 2023 -
Hamra Abbas in The Curator Mag
Zena Khan, The Curator Mag, March 21, 2022 -
Asian Art Newspaper interviews Hamra Abbas
Olivia Sand, Asian Art Newspaper, November 8, 2020 -
Hamra Abbas interview with Art Radar
C. A. Xuân Mai Ardia, Art Radar, October 17, 2016 -
HAMRA ABBAS ON BLOUIN ARTINFO
Blouin Artinfo Datebook, Blouin Artinfo, October 13, 2016 -
Kaaba Magic: An Investigation of Works by Hamra Abbas
Laura Egerton, Contemporary Practices, March 1, 2015 -
The Sound of Broken Clapping
Hanae Ko, Art Asia Pacific
