Larissa Sansour b. 1973

Overview

Larissa Sansour (b. 1973, Jerusalem) is an interdisciplinary artist working with film, photography, installation and new media. Her work is immersed in contemporary political dialogue and often borrows from the language of cinema, science fiction and popular culture to construct complex visual narratives about Palestine and the Middle East. Through video, photography, experimental documentary and staged imagery, she translates political realities into cinematic worlds that resemble entertainment formats, creating parallel universes in which alternative histories and futures can be imagined. References ranging from science fiction and spaghetti westerns to horror films converge with social and political themes, producing works in which humour, spectacle and dystopia coexist.

Works
  • Larissa Sansour, In the Future, They Ate From the Finest Porcelain 1, 2014
    In the Future, They Ate From the Finest Porcelain 1, 2014
  • Larissa Sansour, Bethlehem 12, 2019
    Bethlehem 12, 2019
  • Larissa Sansour, Indigo Pool, 2022
    Indigo Pool, 2022
  • Larissa Sansour, Indigo Terrain, 2023
    Indigo Terrain, 2023
  • Larissa Sansour, Poster, 2012
    Poster, 2012
  • Larissa Sansour, Flag, 2009
    Flag, 2009
  • Larissa Sansour, Palestinaut, 2009
    Palestinaut, 2009
Biography
Larissa Sansour (b. 1973, Jerusalem) is an interdisciplinary artist working with film, photography, installation and new media. Her work is immersed in contemporary political dialogue and often borrows from the language of cinema, science fiction and popular culture to construct complex visual narratives about Palestine and the Middle East. Through video, photography, experimental documentary and staged imagery, she translates political realities into cinematic worlds that resemble entertainment formats, creating parallel universes in which alternative histories and futures can be imagined. References ranging from science fiction and spaghetti westerns to horror films converge with social and political themes, producing works in which humour, spectacle and dystopia coexist.
 
Sansour studied Fine Art in Copenhagen, London and New York, and has developed a practice that combines film, installation and photography to question ideas of nationhood, displacement, mythology and the construction of identity. Her works often adopt the structure of cinematic storytelling, using elaborate sets, costumes and visual effects to explore how narratives about history and territory are produced and circulated.
 
Sansour has had several major solo shows internationally. She presented Heirloom, an exhibition curated by Nat Muller for the Danish Pavilion at the 58th Venice Biennale in 2019.  Other recent solo shows include: These Moments Will Disappear Too, Charlottenborg Kunsthal, Copenhagen (2025); Galeria del Paseo, Manantiales, Uruguay; Nunu Fine Arts, Taipei, Taiwan (2025); While We Count Our Earthquakes, Kunsthalle Extra City, Antwerp, Belgium (2025); Larissa Sansour, Emerson Contemporary, Boston, USA (2025); Larissa Sansour, Amos Rex, Helsinki, Finland (2024); Larissa Sansour, Göteborgs Konsthall, Gothenburg, Sweden (2024); As If No Misfortune Had Occurred in the Night, KINDL, Berlin, Germany (2023); Tomorrow’s Ghosts, Kunsten Museum of Modern Art, Aalborg, Denmark (2023); Familiar Phantoms, Whitworth Gallery, Manchester, UK (2023); Larissa Sansour, Gifu Museum of Contemporary Art, Gifu, Japan (2022); Larissa Sansour, Art Exchange, Essex, UK (2022); Larissa Sansour, KinoKino, Sandnes, Norway (2021); Heirloom, Bildmuseet, Umeå, Sweden (2020);  In Vitro, Jameel Arts Centre, Dubai, UAE (2020).
 
She has participated in several group exhibitions including: While We Count Our Earthquakes,  Kunsthalle Extra City, Belgium (2025); Bounding Histories, Whispering Tales, Art Encounters Biennale, Romania (2025); The Past Never Was, It Only Is, Reykjanes Art Centre, Iceland (2025); Five Acts of Love, ACCA, Australia (2022); Let The Song Hold Us, FACT Foundation for Art and Creative Technology, Liverpool, UK (2021); Larissa Sansour, Søren Lind, In Vitro, MOMus Contemporary, Thessaloniki, Greece (2019);  Cosmological Arrows, Bonniers Konsthall, Stockholm, Sweden (2019); The Moon, National Maritime Museum, London, UK (2019); Moonlight, Hasselblad Center, Gothenburg, Sweden (2019), among others.
 
Her works are part of notable collections including the Wolverhampton Gallery, UK; the Imperial War Museum, UK; Louis Vuitton Collection, France, the Carlsberg Foundation, Denmark; the Museum of Contemporary Art, Denmark; N.B.K., Germany; Nadour, Germany; Salsali Private Museum, UAE and the Barjeel Foundation, UAE.
 
In 2016, Larissa was awarded the Guanajuato International Film Festival (GIFF) Award for In The Future They Ate From The Finest Porcelain, in the Best Experimental Short Film category.  In 2015, Sansour’s aforementioned sci-fi short was nominated for the Muhr Short Competition organised by the Dubai International Film Festival (DIFF). She is the beneficiary of a grant from Arab Fund for Art & Culture and financial support for In The Future, They Ate From The Finest Porcelain, from The Film London Artists’ Moving Image Network (FLAMIN) a film she produced and co-directed with Soren Lind. She was invited as an artist in residence with the Moving Museum, Istanbul for three weeks in September 2014.
 
Sansour currently lives and works in London.
Exhibitions
Press
Video