Khorfakkan-based Emirati artist Mohamed Ahmed Ibrahim (b. 1962, Khorfakkan, UAE) is part of the UAE's first generation of contemporary artists from the 1990s and 2000s, an avant-garde that included Hassan Sharif, Abdullah Al Saadi, Hussein Sharif, and Mohammed Kazem.
Mohamed Ahmed Ibrahim came of age as an artist in the UAE in an era in which the visual arts were not yet valued culturally or taught in university degree programs. In 1986 when he met the late artist Hassan Sharif and became a founding member of the Emirates Fine Art Society, Ibrahim was pulled out of a secluded practice and carved out unshakable friendships and collaborations that have formed the foundation for the creative community that defines the UAE today.
Ibrahim's practice has been inspired by a lifelong relationship with the environment of Khorfakkan, his place of birth, with the Gulf of Oman on one side and the Hajar Mountains on the other. His fascination with the desolate, rocky terrain on this eastern shore of the United Arab Emirates recalls not only Judd's attraction to the barrenness of his Texan hideaway, but also the earthy toils of a generation of land artists, with whom Ibrahim shares a spiritual lineage.
His deep connection to his local environment repeats itself throughout his studio practice, whether through his installations, drawings or objects. His hand made objects are shaped like primitive tools, bones or parts of trees and appear to have been unearthed from some ancient den, rather than handcrafted. His works on paper reveal his own form of language - inscriptions, lines and abstract forms that are reminiscent of ancient cave drawings - marking time and memory through meditative repetition.
Ibrahim's solo exhibitions include The Space between the Eyelid and the Eyeball at Lawrie Shabibi, Dubai (2019), Mohamed Ahmed Ibrahim, Solo Show (2018), Turab, (2015) and Primordial, (2013-2104) all at Cuadro Art Gallery, Dubai. In March 2018 Elements, a survey of works spanning three decades of his practice was presented at the Sharjah Art Foundation curated by Hoor Al Qasimi.
Ibrahim's group exhibitions include participations in But We Cannot See Them: Tracing a UAE Art Community, 1988-2008 at NYUAD Art Gallery (2017); The Unbearable Lightness of Being, Yay Gallery, Baku (2015); the Kochi-Muziris Biennale, Kochi (2016); the 53rd Venice Biennale, Venice (2009) the Sharjah Biennial (1993, 2003 and 2007) and the Dhaka Biennial (2002 and 1993). Select institutional exhibitions include the Kunstmuseum, Bonn (2005); the Sharjah Art Museum, Sharjah (2005 and 1996), the Ludwig Forum for International Art, Aachen (2002); Institut du Monde Arabe, Paris (1998); Sittard Art Centre, the Netherlands (1995), and the Exhibition for the Emirates Fine Art Society in the Soviet Union, Moscow (1990).
Ibrahim has participated in artist residencies at Trans Indian Ocean Artist Exchange, Kochi Murzi Biennale, India (2016); A.i.R Dubai (2015); Le Consortium, Dijon, France (2009) and Kunstcentrum Sittard, the Netherlands (1994-1996, 1998-2000). His public art commissions include murals at Reem Park, Abu Dhabi (2018) Bait Al Hurma, Sharjah.
His works are in significant international collections, including Sharjah Art Foundation (UAE), Sharjah Art Museum (UAE); Art Jameel (UAE); Barjeel Art Foundation (Sharjah); Arab Museum of Modern Art (Doha); Kunstcentrum Sittard (The Netherlands), the British Museum (London) and The Centre George Pompidou (Paris).
He received the first prize for sculpture at the Sharjah Biennial in 1999 and 2001 and has been a member of the Emirates Fine Arts Society since 1986 founding Art Atelier at the Khorfakkan Art Centre in 1997.
Ibrahim works and lives in Khorfakkan, United Arab Emirates.