Jasbir Puar and Dima Srouji build upon their respective work in architecture, visual art and decolonial theory to produce a collaborative examining of colonial pathologies in the installation, Revolutionary Enclosures (Until the Apricots) With a series of household items responding to material conditions of different kinds of lockdown, it interweaves the artists’ experiences of COVID-19 quarantine with their memories of the Second Intifada (2000–2005)
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