Ibrahim presents a comprehensive selection of paintings, works on paper, assemblages, and papier-mâché sculptures that explore themes of nature, memory, and imagination.
The exhibition takes its title from Ibrahim’s recent cloud-inspired works, revealing his poetic sensibility that connects environment and abstraction. Organized into four thematic sections — In Transit, Traces Made Visible, Shapeshifters, and Where the Land Turns to Play — the show features notable series such as Sitting Man (2010–2015), Sitting Woman Only One (2010), and his early land art pieces including Draped Trees (1996) and Khorfakkan Circles (2004).
