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Farhad AhrarniaMy Finger, a Severed Thumb, no. 1, 2024Variety of local wood indigenous to Pars region, Iran37 x 27.2 x 2.5 cm -
Farhad AhrarniaAnd God Saved the Queen, no. 1, 2022-24Digital print using water based pigment ink, on half Panama cotton canvas, hand embroidery using silk, cotton, metallic thread, and sequins99 x 127 x 2 cm
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Farhad AhrarniaAnd God Saved the Queen, no. 5, 2022-24Digital print using water based pigment ink, on half Panama cotton canvas, hand embroidery using silk, cotton, sequins, safety pins, and embellishments107 x 122 x 2 cm
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Farhad AhrarniaAnd God Saved the Queen, no. 6, 2022-24Digital print using water based pigment ink, on half Panama cotton canvas, hand embroidery using silk, cotton and metalic thread, safety pins and embellishments122 x 98 x 2 cm
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Farhad AhrarniaLike a Prayer, no. 1, 2023-24Sermeh-doozi, Sermeh-embroidery, imitation gold and silver threads, decorative pearls78 x 78 x 2 cm
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Farhad AhrarniaTouch, Composition with Left Hand, no. 1, 2024Variety of local wood indigenous to Pars region, Iran52 x 37.2 x 2.6 cm
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Farhad AhrarniaLike a Prayer, no. 3, 2023-24Sermeh-doozi, Sermeh-embroidery, imitation gold and silver threads, decorative pearls57 x 42 x 2 cm
Farhad Ahrarnia: No Scheherazade
Past exhibition
