In Persian mystical poetry, physical love is often a reflection of divine love, and the beauty of the beloved a reflection of God’s beauty. The beloved was just as often a man as a woman, and although love did not have to manifest itself physically, the sexual ambiguity of works like this was enough to awaken displeasure in more morally oriented circles.
In contrast to the story of Khusraw and Shirin, who clearly have a sexual relationship, this does not seem to have been the case between Mihr and Mushtari. In any event, Mihr marries Nahid, the daughter of the Khwarazm shah.
The bathing scene is unusual. The text explains that Mihr, the central seated figure, is having a knot in his long hair combed out.