Born in Britain, Darren Harvey-Regan studied photography but works across disciplines to subvert, question and extend the conventions of photography and its relationship to representation and the physical world. In Mass the simplest and most direct approach is favored in order to render the medium as transparent as possible. Presenting the image in this triptych form he draws not on photographic convention but on the tradition of icon painting. Enhanced by the title - which alludes as much to ceremony as the peculiar weight of the palm which is its central focus - the artist manipulates representation, transporting these objects into the realm of the profound.