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1:54 Contemporary African Art Fair, London

ROOM S11, FIRST FLOOR, SOMERSET HOUSE, LONDON, 2 - 6 October 2019 
Open a larger version of the following image in a popup: Zak Ové Hands Up, 2019 1960s Lambretta scooter, cast graphite, hand made glass African beads, LED lighting and electrical transformer. 140 x 60 x 70 cm 55 1/8 x 23 5/8 x 27 1/2 in
Open a larger version of the following image in a popup: Zak Ové Ancestral Garden, 2019 Crochet doilies Diameter 190 cm Diameter 74 3/4 in
Open a larger version of the following image in a popup: Hew Locke Golden Horde 5, 2006 Mixed media, Including plastic, metal, textile and wood 203 x 182 x 104 cm 79 7/8 x 71 5/8 x 41 in
Open a larger version of the following image in a popup: Nadia Kaabi-Linke Spic and Span in June and July, 2019 Graphite and acrylic on paper on canvas 145 x 133 cm 57 1/8 x 52 3/8 in
Open a larger version of the following image in a popup: Fathi Hassan The House of Hope, 2019 Mixed media on paper 190 x 150 cm 74 3/4 x 59 1/8 in
  • Zak Ové
    Hands Up, 2019
    1960s Lambretta scooter, cast graphite, hand made glass African beads, LED lighting and electrical transformer.
    140 x 60 x 70 cm
    55 1/8 x 23 5/8 x 27 1/2 in
  • Zak Ové
    Ancestral Garden, 2019
    Crochet doilies
    Diameter 190 cm
    Diameter 74 3/4 in
  • Hew Locke
    Golden Horde 5, 2006
    Mixed media, Including plastic, metal, textile and wood
    203 x 182 x 104 cm
    79 7/8 x 71 5/8 x 41 in
  • Nadia Kaabi-Linke
    Spic and Span in June and July, 2019
    Graphite and acrylic on paper on canvas
    145 x 133 cm
    57 1/8 x 52 3/8 in
  • Fathi Hassan
    The House of Hope, 2019
    Mixed media on paper
    190 x 150 cm
    74 3/4 x 59 1/8 in
Zak Ové
Hands Up, 2019
1960s Lambretta scooter, cast graphite, hand made glass African beads, LED lighting and electrical transformer.
140 x 60 x 70 cm
55 1/8 x 23 5/8 x 27 1/2 in

For the third consecutive year Lawrie Shabibi­­­ returns to the London edition of 1-54 Contemporary African Art Fair featuring a presentation of four artists: Nadia Kaabi-Linke (b. 1978, Tunis), Fathi Hassan (b. 1957, Cairo), Zak Ové (b. 1966, London) and Hew Locke (b. 1959, Edinburgh).

 

Artists Exhibited

 

Exhibited by the gallery at 1-54 for the first time, Hew Locke presents a work from his Golden Horde series commissioned for the exhibition Alien Nation at the ICA in 2006. As he puts it “this work speaks of the fear of the invader way before Brexit!” Drawing on years of visiting cathedral, palace and museum treasuries or hordes such as the Gilt and Silver Rooms at the Victoria & Albert Museum in London, Locke explores the visual display of those in power and those who aspire to attain power, focusing his fascination and ambivalence around ideas and images of “Britishness” in a global context. Locke's work is represented in many collections including the Government Art Collection, Tate Gallery, the Brooklyn Museum, Perez Art Museum, the Victoria & Albert Museum Drawing Collection, the British Museum and the Henry Moore Institute, Leeds, UK.

 

Fathi Hassan, a Nubian-Egyptian artist now living and working in Edinburgh, experiments with the written and spoken word exploring the importance of oral traditions and ancient languages threatened by colonialism. At 1-54 Hassan presents a series of collaged works that engage with the symbols, textures and calligraphy of invented, Kufic-inspired scripts, exploring the space between graphic symbolism and literal meaning. Hassan’s works are in the collections of the British Museum (his photographs and paintings are currently on display in the the Albukhary Foundation Gallery of the Islamic World), the Victoria and Albert Museum and the Smithsonian National Museum of African Art.

 

Berlin-based Tunisian/Ukrainian artist Nadia Kaabi-Linke presents Spic and Span in June and July, 2019, part of an ongoing process of creating a variation of graphite and acrylic drawings on paper on canvas, each of which is linked to a month in the year. In these works Kaabi-Linke reflects upon her own practice of print making, musing whether a real time painting or drawing is even possible. In the end, each drawing relates to both time and space through the activity of filling time until the surface satisfies the conditions that end this process - when the work is complete is the only decision the artist can make. Kaabi-Linke’s works are in the collections of major institutions such as the Solomon R. Guggenheim, MoMA New York, Dallas Museum of Art, M+ Museum and Sharjah Art Foundation and she is currently part of two museum group shows: “Clapping with Stones: Art and Acts of Resistance” at the Rubin Museum, New York and “Walking Through Walls” at Gropius Bau, Berlin. 

 

Zak Ové returns to Somerset House after a short break - over the summer he curated Get Up, Stand Up Now at Somerset House, a ground-breaking exhibition of over 100 artists celebrating the contribution of black creatives in Britain over the past 50 years. For 1-54 Ové presents a series of Doily Paintings and Hands Up, a new sculpture. Ové is currently showing Autonomous Morris at Frieze Sculpture in Regent’s Park, and his monumental sculptural installation Black and Blue: The Invisible Men and the Masque of Blackness, first shown in the central courtyard of Somerset House during the 2016 edition of 1-54, is currently on view at the B. Gerald Cantor Sculpture Garden in LACMA, Los Angeles. His works are in the collections of the British Museum, Pérez Art Museum, Facebook Corporate Collection, Pizzuti Collection and 21C Museum Hotels amongst others.

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  • Nadia Kaabi-Linke

    Nadia Kaabi-Linke

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